Akin F and Kekilli S, ‘Head-On’
Asrar N, The Muslim Others of Indian Cinema: Questions of Nation and Narration (Lambert Academic Publishing 2010)
Badley L, Palmer RB and Schneider SJ, Traditions in World Cinema, vol Traditions in world cinema (Edinburgh University Press 2006) <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=275802>
——, Traditions in World Cinema, vol Traditions in world cinema (Edinburgh University Press 2006) <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780748626267>
Basu A, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh University Press 2012)
Basu A and dawsonera, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh University Press 2010) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748643233>
Basu A and ebrary, Inc, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh University Press 2010) <http://site.ebrary.com/lib/universityofessex/Doc?id=10430823>
Becker W and others, ‘Goodbye Lenin!’
Benson-Allott C (ed), ‘Journal of Cinema and Media Studies’ <https://muse.jhu.edu/journal/31>
Bergfelder T, Carter E and Göktürk D, The German Cinema Book (British Film Institute 2002)
Bhandarkar M and Sensharma K, ‘Page 3: The inside Story’
Bhaskar I and Allen R, Islamicate Cultures of Bombay Cinema (Tulika Books 2009)
Bordwell D, Ozu and the Poetics of Cinema (Princeton University Press 1988)
——, Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press 2000)
Bose D, Brand Bollywood: A New Global Entertainment Order (Sage Publications 2006)
Bose D and dawsonera, Brand Bollywood: A New Global Entertainment Order (SAGE 2006) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9788132102786>
Boyle D, Patel D and Swarup V, ‘Slumdog Millionaire’
British Film Institute, ‘Sight and Sound’
Brockmann S, A Critical History of German Film, vol Studies in German literature, linguistics, and culture (Camden House 2010)
Brockmann S and dawsonera, A Critical History of German Film, vol Studies in German literature, linguistics and culture (Camden House 2010) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781571137227>
Browne N, New Chinese Cinemas: Forms, Identities, Politics (Cambridge University Press 1994)
Cambridge Books Online (EBA), Melodrama and Asian Cinema, vol Cambridge Studies in Film (Wimal Dissanayake ed, Cambridge University Press 1993) <https://dx.doi.org/10.1017/CBO9781139172523>
——, New Chinese Cinemas: Forms, Identities, Politics (Nick Browne and others eds, Cambridge University Press 1994) <https://dx.doi.org/10.1017/CBO9781139174121>
——, The Cinema of Hong Kong: History, Arts, Identity (Poshek Fu and David Desser eds, Cambridge University Press 2000) <https://dx.doi.org/10.1017/CBO9781139167116>
‘Camera Obscura: Feminism, Culture and Media Studies’ <https://read.dukeupress.edu/camera-obscura/issue>
Chaudhuri S, Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (Edinburgh UP 2005)
——, ‘Snake Charmers and Child Brides: Deepa Metha’s Water, “exotic” Representation, and the Cross-Cultural Spectatorship of South Asian Migrant Cinema’ (2009) 7 South Asian Popular Culture 7
Chopra A, Dilwale Dulhania Le Jayenge =: The Brave-Hearted Will Take the Bride, vol BFI modern classics (British Film Institute 2002)
——, King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema (Warner Books 2007)
Chopra A, Khan SR, and Kajol, ‘Dilwale Dulhania Le Jayenge’
Chow R, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility, vol Film and culture series (Columbia University Press 2007)
Chow R and JSTOR ebook collection, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility, vol Film and culture series (Columbia University Press 2007) <https://www.jstor.org/stable/10.7312/chow13332>
Ciecko AT, Contemporary Asian Cinema: Popular Culture in a Global Frame, vol Asian cinema series (Berg 2006)
‘Cinema Journal’
Clarke D, German Cinema: Since Unification, vol New Germany in context (Continuum 2006)
Codell JF, Genre, Gender, Race, and World Cinema (Blackwell Pub 2007)
Cooke P, Contemporary German Cinema (Manchester University Press 2012)
Cooke P and Homewood C, New Directions in German Cinema, vol Tauris world cinema series (IB Tauris 2011)
Cooke P, Homewood C, and dawsonera, New Directions in German Cinema, vol Tauris World Cinema Series (IB Tauris & Co 2011) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857720399>
Cui S, ‘Raise the Red Lantern: The Cinematic Orient and Female Conflict’, Film analysis: a Norton reader (Second edition, W W Norton & Company 2013)
dawsonera, Routledge Handbook of Indian Cinemas, vol Routledge handbooks (K Moti Gokulsing, Wimal Dissanayake and Rohit K Dasgupta eds, Routledge 2013) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203556054>
Desai J, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (Routledge 2004)
Desai J and EBSCOhost ebook collection, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (Routledge 2004) <https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=115218>
Desser D, ‘Tokyo Story: The Space of Ambivalence’, Film analysis: a Norton reader (Second edition, W W Norton & Company 2013)
Dissanayake W, Melodrama and Asian Cinema, vol Cambridge studies in film (Cambridge University Press 1993)
Dudrah RK and Desai J, The Bollywood Reader (McGraw-Hill 2008)
Duke University Press. Online journal, ‘Camera Obscura’ <https://cameraobscura.dukejournals.org>
Ďurovičová N and Newman KE, World Cinemas, Transnational Perspectives, vol AFI film readers (Routledge 2010) <https://search-ebscohost-com.uniessexlib.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=289883&site=ehost-live&scope=site&authtype=sso&custid=s9814295>
Ďurovičová N, Newman KE, and EBSCOhost ebook collection, World Cinemas, Transnational Perspectives, vol AFI film readers (Routledge 2010) <https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=289883>
Dwyer R, All You Want Is Money, All You Need Is Love: Sexuality and Romance in Modern India (Cassell 2000)
——, Filming the Gods: Religion and Indian Cinema (Routledge 2006)
Dwyer R and dawsonera, Filming the Gods: Religion and Indian Cinema (Routledge 2006) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203088654>
Dwyer R and Patel D, Cinema India: The Visual Culture of Hindi Film, vol Envisioning Asia (Reaktion Books 2002)
Dyer R (ed), ‘Third Text’ <https://www.tandfonline.com/loi/ctte20>
Edel U and others, ‘The Baader Meinhof Complex’
Ezra E and Rowden T, Transnational Cinema: The Film Reader, vol In focus--Routledge film readers (Routledge 2006)
‘Film History’
‘FLIGHT OF THE RED BALLOON [DVD]’
Fu P and Desser D, The Cinema of Hong Kong: History, Arts, Identity (Cambridge University Press 2000)
Gansel D and others, ‘The Wave’
Ganti T, Bollywood: A Guidebook to Popular Hindi Cinema, vol Routledge film guidebooks (Routledge 2004)
Geist K, ‘Narrative Strategies in Ozu’s Late Films’, Reframing Japanese cinema: authorship, genre, history (Indiana University Press 1992)
Ginsberg T and Mensch A (eds), A Companion to German Cinema, vol The Wiley-Blackwell companions to national cinemas (Wiley-Blackwell 2012)
Ginsberg T, Mensch A, and dawsonera, A Companion to German Cinema (Wiley-Blackwell 2012) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444345575>
Gokulsing KM and Dissanayake W, Indian Popular Cinema: A Narrative of Cultural Change (Rev and updated ed, Trentham 2004)
—— (eds), Routledge Handbook of Indian Cinemas, vol [Routledge handbooks] (Routledge 2013)
Gong L, Zhang Y and Su T, Raise the Red Lantern =: Da Hong Deng Long Gao Gao Gua, vol Zhang Yimou collection (Razor Digital Entertainment 2005)
Gopal S and Moorti S, Global Bollywood: Travels of Hindi Song and Dance (University of Minnesota Press 2008)
Gopal S, Moorti S, and ebrary, Inc, Global Bollywood: Travels of Hindi Song and Dance (University of Minnesota Press 2008) <http://site.ebrary.com/lib/universityofessex/Doc?id=10227060>
Gopalan L, Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (BFI Pub 2002)
Gopalan L and British Film Institute, Bombay, vol BFI modern classics (BFI 2005)
Gopinath G, Impossible Desires: Queer Diasporas and South Asian Public Cultures, vol Perverse modernities (Duke University Press 2005)
Grant C and Kuhn A, Screening World Cinema: A Screen Reader, vol Screen readers (Routledge 2006)
Hake S, German National Cinema, vol National cinemas (2nd ed, Routledge 2008)
Hake S and dawsonera, German National Cinema (2nd ed, Routledge 2008) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203608012>
Hake S and Mennel BC, Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens, vol Film Europa: German cinema in an international context (Berghahn Books 2012)
Hake S, Mennel BC, and dawsonera, Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens, vol Film Europa (Berghahn 2012) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857457691>
Hill J and Gibson PC, World Cinema: Critical Approaches (Oxford University Press 2000)
‘Historical Journal of Film, Radio, and Television’ <https://www.tandfonline.com/loi/chjf20>
Hjort M and MacKenzie S, Cinema and Nation (Routledge 2000) <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=240252>
Hjort M, MacKenzie S, and dawsonera, Cinema and Nation (Routledge 2000) <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780203977279>
Hood JW, The Essential Mystery: Major Filmmakers of Indian Art Cinema (2nd rev. & enl ed, Orient BlackSwan 2009)
Hunt L, Leung W-F, and ebrary, Inc, East Asian Cinemas: Exploring Transnational Connections on Film, vol Tauris world cinema series (New York 2008) <http://site.ebrary.com/lib/universityofessex/Doc?id=10267549>
Hunt L and Wing-fai L, East Asian Cinemas: Exploring Transnational Connections on Film (IB Tauris 2008)
Intellect. Online journal, ‘Transnational Cinemas’
——, ‘New Cinemas’
Kapczinsky J and Richardson M, ‘Epilogue: The Many Lives of Contemporary German Cinema’, A new history of German cinema, vol Screen cultures: German film and the visual (Camden House 2012)
Kaur R and Sinha AJ, Bollyworld: Popular Indian Cinema through a Transnational Lens (Sage Publications 2005)
Kei S, ‘Achievement and Crisis: Hong Kong Cinema in the ’80s’ Bright Lights Film Journal <http://brightlightsfilm.com/achievement-crisis-hong-kong-cinema-80s/#.VQw8fI6sW7s>
Kītā V, Rao S and Dhakshna MP, The 9 Emotions of Indian Cinema Hoardings (Tara Pub 2007)
Kwok Wah Lau J, ‘Peking Opera Blues: Imploding Genre, Gender, and History’, Film analysis: a Norton reader (Second edition, W W Norton & Company 2013)
Lal V and Nandy A, Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema, vol Oxford India paperbacks (Oxford University Press 2007)
Lau JKW, Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia (Temple University Press 2003)
Lee A, Chow Y and Yeoh M, ‘Crouching Tiger, Hidden Dragon’
Lim SH and Dennison S, Remapping World Cinema: Identity, Culture and Politics in Film (Wallflower Press 2006)
Mazumdar R, Bombay Cinema: An Archive of the City (University of Minnesota Press 2007)
Mazumdar R and ebrary, Inc, Bombay Cinema: An Archive of the City (University of Minnesota Press 2007) <http://site.ebrary.com/lib/universityofessex/Doc?id=10206194>
Mehta D and Azmi S, Fire (Trial by Fire film 1996)
Mishra V, Bollywood Cinema: Temples of Desire (Routledge 2002)
Naficy H, An Accented Cinema: Exilic and Diasporic Filmmaking (Princeton University Press 2001)
Nagib L and others, Theorizing World Cinema, vol Tauris world cinema series (IB Tauris 2012) <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780857721044>
Nagib L, Perriam C and Dudrah RK, Theorizing World Cinema, vol Tauris world cinema series (IB Tauris 2012) <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=903320>
Nandy A, The Secret Politics of Our Desires: Innocence, Culpability, and Indian Popular Cinema (Zed Books 1998)
‘New Cinemas: Journal of Contemporary Film’ <https://www.ingentaconnect.com/content/intellect/nc>
O’Brien M-E, Post-Wall German Cinema and National History: Utopianism and Dissent, vol Studies in German literature, linguistics, and culture (Camden House 2012)
Pendakur M, Indian Popular Cinema: Industry, Ideology, and Consciousness, vol Hampton Press communication series (Hampton Press 2003)
Prakash G, Noir Urbanisms: Dystopic Images of the Modern City (Princeton University Press 2010)
Prasad MM, Ideology of the Hindi Film: A Historical Construction, vol Oxford India paperbacks (Oxford University Press 2000)
Qing D and Tai J, ‘Raised Eyebrows for Raise the Red Lantern’ (1993) 5 Public Culture 333
Reimer RC, Zachau RK and Sinka MM, German Culture through Film: An Introduction to German Cinema (Focus Publishing 2005)
Richie D, Ozu (University of California Press 1977)
Rosen P, ‘Nation and Anti-Nation: Concepts of National Cinema in the “New” Media Era’ (1996) 5 Diaspora: A Journal of Transnational Studies 375
——, ‘Nation and Anti-Nation: Concepts of National Cinema in the "New” Media Era’, Diaspora: a journal of transnational studies, vol 5 (University of Toronto Press 1996)
Routledge. Online journal, ‘Historical Journal of Film, Radio and Television’
Sarkar B, Mourning the Nation: Indian Cinema in the Wake of Partition (Duke University Press 2009)
Schaefer DJ and Karan K (eds), Bollywood and Globalization: The Global Power of Popular Hindi Cinema, vol Routledge contemporary South Asia series (Routledge 2013)
Schaefer DJ, Karan K, and dawsonera, Bollywood and Globalisation: The Global Power of Popular Hindi Cinema, vol Routledge contemporary South Asia series (Routledge 2013) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203085141>
Schindler SK and Koepnick LP, The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present, vol Social history, popular culture, and politics in Germany (University of Michigan Press 2007)
Schweiger T and Tschirner N, ‘Keinohrhasen’
‘Screen’ <https://academic.oup.com/screen/issue>
Shohat E and Stam R, ‘From the Imperial Family to the Trans-National Imaginary: Media Spectatorship in the Age of Globalization’, Global/local: cultural production and the transnational imaginary, vol Asia-Pacific : culture, poitics, and society (Duke University Press 1996)
‘Sight and Sound’ <http://search.ebscohost.com/direct.asp?db=aft&jid=SIS&scope=site>
Steenberg L, ‘A Dream of China: Translation and Hybridisation in Crouching Tiger, Hidden Dragon’ <http://www.brunel.ac.uk/__data/assets/pdf_file/0005/185900/ET61Wux6SteenbergED.pdf>
Suchenski RI, Hou Hsiao-Hsien, vol FilmmuseumSynemaPublikationen (Österreichisches Filmmuseum 2014)
Swami A, Koirala M, and Maṇiratṉam, ‘Bombay’
Tam K and Dissanayake W, New Chinese Cinema, vol Images of Asia (Oxford University Press 1998)
Teo S, Hong Kong Cinema: The Extra Dimensions (BFI 1997)
——, ‘Hong Kong Cinema: Discovery and Pre-Discovery’, World cinema: critical approaches (Oxford University Press 2000)
——, Wong Kar-Wai, vol World directors series (BFI Pub 2005)
‘Third Text’ <https://ejournals.ebsco.com/Journal2.asp?JournalID=300296>
‘Transnational Screens’ <https://www.tandfonline.com/openurl?genre=journal&stitle=rtrc20>
Tsui H and others, ‘Peking Opera Blues’
Uberoi P, Freedom and Destiny: Gender, Family, and Popular Culture in India, vol Oxford India paperbacks (Oxford University Press 2009)
Vanita R, Queering India: Same-Sex Love and Eroticism in Indian Culture and Society (Routledge 2002)
Vasudevan R, Making Meaning in Indian Cinema, vol Oxford India paperbacks (Oxford University Press 2002)
Virdi J, The Cinematic Imagination: Indian Popular Films as Social History (Rutgers University Press 2003)
Waller GA (ed), ‘Film History’ <http://search.ebscohost.com/direct.asp?db=aft&jid=6LP&scope=site>
Wong K, Leung TCW and Cheung L, ‘Happy Together’
Woo J and others, ‘A Better Tomorrow’
Yau C-ME, At Full Speed: Hong Kong Cinema in a Borderless World (University of Minnesota Press 2001)
Yau C-ME and ebrary, Inc, At Full Speed: Hong Kong Cinema in a Borderless World (University of Minnesota Press 2001) <http://site.ebrary.com/lib/universityofessex/Doc?id=10151097>
Yijin Z, ‘Introduction: National Cinema and China’, Chinese national cinema, vol National cinemas series (Routledge 2004)
