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Badley, L., Palmer, R.B. and Schneider, S.J. (2006b) Traditions in world cinema [electronic resource]. Edinburgh: Edinburgh University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780748626267.
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Basu, A. and ebrary, Inc (2010) Bollywood in the age of new media: the geo-televisual aesthetic [electronic resource]. Edinburgh: Edinburgh University Press. Available at: http://site.ebrary.com/lib/universityofessex/Doc?id=10430823.
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Bhandarkar, M. and Sensharma, K. (2005) ‘Page 3: the inside story’. UK: Tip Top Video.
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Boyle, D., Patel, D. and Swarup, V. (2009) ‘Slumdog millionaire’. [U.K.]: Pathé.
British Film Institute (1932) ‘Sight and sound’.
Brockmann, S. (2010) A critical history of German film. Rochester, N.Y.: Camden House.
Brockmann, S. and dawsonera (2010) A critical history of German film [electronic resource]. Rochester, NY: Camden House. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781571137227.
Browne, N. (1994) New Chinese cinemas: forms, identities, politics. Cambridge: Cambridge University Press.
Cambridge Books Online (EBA) (1993) Melodrama and Asian Cinema. Edited by W. Dissanayake. Cambridge: Cambridge University Press. Available at: https://dx.doi.org/10.1017/CBO9781139172523.
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Cambridge Books Online (EBA) (2000) The Cinema of Hong Kong: History, Arts, Identity. Edited by P. Fu and D. Desser. Cambridge: Cambridge University Press. Available at: https://dx.doi.org/10.1017/CBO9781139167116.
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Chaudhuri, S. (2005) Contemporary world cinema: Europe, the Middle East, East Asia and South Asia. Edinburgh: Edinburgh U.P.
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Chopra, A. (2002) Dilwale dulhania le jayenge =: The brave-hearted will take the bride. London: British Film Institute.
Chopra, A. (2007) King of Bollywood: Shah Rukh Khan and the seductive world of Indian cinema. New York: Warner Books.
Chopra, A., Khan, S.R., and Kajol (2004) ‘Dilwale dulhania le jayenge’. Mumbai: Yash Raj Films International.
Chow, R. (2007) Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility. New York: Columbia University Press.
Chow, R. and JSTOR ebook collection (2007) Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility [electronic resource]. New York: Columbia University Press. Available at: https://www.jstor.org/stable/10.7312/chow13332.
Ciecko, A.T. (2006) Contemporary Asian cinema: popular culture in a global frame. Oxford: Berg.
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Clarke, D. (2006) German cinema: since unification. London: Continuum.
Codell, J.F. (2007) Genre, gender, race, and world cinema. Malden, MA: Blackwell Pub.
Cooke, P. (2012) Contemporary German cinema. Manchester: Manchester University Press.
Cooke, P. and Homewood, C. (2011) New directions in German cinema. London: I.B. Tauris.
Cooke, P., Homewood, C., and dawsonera (2011) New directions in German cinema [electronic resource]. London: I.B. Tauris & Co. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857720399.
Cui, S. (2013) ‘Raise the Red Lantern: The Cinematic Orient and Female Conflict’, in Film analysis: a Norton reader. Second edition. New York: W. W. Norton & Company, pp. 883–901.
dawsonera (2013) Routledge handbook of Indian cinemas [electronic resource]. Edited by K.M. Gokulsing, W. Dissanayake, and R.K. Dasgupta. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203556054.
Desai, J. (2004) Beyond Bollywood: the cultural politics of South Asian diasporic film. New York: Routledge.
Desai, J. and EBSCOhost ebook collection (2004) Beyond Bollywood: the cultural politics of South Asian diasporic film [electronic resource]. New York: Routledge. Available at: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=115218.
Desser, D. (2013) ‘Tokyo Story: The Space of Ambivalence’, in Film analysis: a Norton reader. Second edition. New York: W. W. Norton & Company, pp. 456–472.
Dissanayake, W. (1993) Melodrama and Asian cinema. Cambridge: Cambridge University Press.
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Duke University Press. Online journal (2000) ‘Camera obscura’. Available at: https://cameraobscura.dukejournals.org.
Ďurovičová, N. and Newman, K.E. (2010) World cinemas, transnational perspectives. New York: Routledge. Available at: https://search-ebscohost-com.uniessexlib.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=289883&site=ehost-live&scope=site&authtype=sso&custid=s9814295.
Ďurovičová, N., Newman, K.E., and EBSCOhost ebook collection (2010) World cinemas, transnational perspectives [electronic resource]. New York: Routledge. Available at: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=289883.
Dwyer, R. (2000) All you want is money, all you need is love: sexuality and romance in modern India. London: Cassell.
Dwyer, R. (2006) Filming the gods: religion and Indian cinema. London: Routledge.
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Dwyer, R. and Patel, D. (2002) Cinema India: the visual culture of Hindi film. London: Reaktion Books.
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Ezra, E. and Rowden, T. (2006) Transnational cinema: the film reader. Abingdon: Routledge.
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Fu, P. and Desser, D. (2000) The cinema of Hong Kong: history, arts, identity. Cambridge: Cambridge University Press.
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Ganti, T. (2004) Bollywood: a guidebook to popular Hindi cinema. London: Routledge.
Geist, K. (1992) ‘Narrative Strategies in Ozu’s Late Films’, in Reframing Japanese cinema: authorship, genre, history. Bloomington: Indiana University Press.
Ginsberg, T. and Mensch, A. (eds) (2012) A companion to German cinema. Chichester: Wiley-Blackwell.
Ginsberg, T., Mensch, A., and dawsonera (2012) A companion to German cinema [electronic resource]. Oxford: Wiley-Blackwell. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444345575.
Gokulsing, K.M. and Dissanayake, W. (2004) Indian popular cinema: a narrative of cultural change. Rev. and updated ed. Stoke-on-Trent: Trentham.
Gokulsing, K.M. and Dissanayake, W. (eds) (2013) Routledge handbook of Indian cinemas. Abingdon: Routledge.
Gong, L., Zhang, Y. and Su, T. (2005) Raise the red lantern =: Da hong deng long gao gao gua [videorecording]. Studio City, CA: Razor Digital Entertainment.
Gopal, S. and Moorti, S. (2008) Global Bollywood: travels of Hindi song and dance. Minneapolis: University of Minnesota Press.
Gopal, S., Moorti, S., and ebrary, Inc (2008) Global Bollywood: travels of Hindi song and dance [electronic resource]. Minneapolis: University of Minnesota Press. Available at: http://site.ebrary.com/lib/universityofessex/Doc?id=10227060.
Gopalan, L. (2002) Cinema of interruptions: action genres in contemporary Indian cinema. London: BFI Pub.
Gopalan, L. and British Film Institute (2005) Bombay. London: BFI.
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Hake, S. and dawsonera (2008) German national cinema [electronic resource]. 2nd ed. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203608012.
Hake, S. and Mennel, B.C. (2012) Turkish German cinema in the new millennium: sites, sounds, and screens. New York: Berghahn Books.
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Hill, J. and Gibson, P.C. (2000) World cinema: critical approaches. Oxford: Oxford University Press.
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Hjort, M., MacKenzie, S., and dawsonera (2000) Cinema and nation [electronic resource]. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780203977279.
Hood, J.W. (2009) The essential mystery: major filmmakers of Indian art cinema. 2nd rev. & enl. ed. New Delhi: Orient BlackSwan.
Hunt, L., Leung, W.-F., and ebrary, Inc (2008) East Asian cinemas: exploring transnational connections on film [electronic resource]. London: New York. Available at: http://site.ebrary.com/lib/universityofessex/Doc?id=10267549.
Hunt, L. and Wing-fai, L. (2008) East Asian cinemas: exploring transnational connections on film. London: I.B. Tauris.
Intellect. Online journal (2010) ‘Transnational cinemas’.
Intellect. Online journal (2011) ‘New cinemas’.
Kapczinsky, J. and Richardson, M. (2012) ‘Epilogue: The Many Lives of Contemporary German Cinema’, in A new history of German cinema. Rochester, N.Y.: Camden House, pp. 629–635.
Kaur, R. and Sinha, A.J. (2005) Bollyworld: popular Indian cinema through a transnational lens. New Delhi: Sage Publications.
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Lau, J.K.W. (2003) Multiple modernities: cinemas and popular media in transcultural East Asia. Philadelphia, PA: Temple University Press.
Lee, A., Chow, Y. and Yeoh, M. (2001) ‘Crouching tiger, hidden dragon’. London: Columbia TriStar Home Entertainment.
Lim, S.H. and Dennison, S. (2006) Remapping world cinema: identity, culture and politics in film. London: Wallflower Press.
Mazumdar, R. (2007) Bombay cinema: an archive of the city. Minneapolis: University of Minnesota Press.
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Nagib, L., Perriam, C. and Dudrah, R.K. (2012) Theorizing world cinema. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=903320.
Nandy, A. (1998) The secret politics of our desires: innocence, culpability, and Indian popular cinema. London: Zed Books.
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Sarkar, B. (2009) Mourning the nation: Indian cinema in the wake of Partition. Durham: Duke University Press.
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