Akin, Fatih, and Sibel Kekilli, ‘Head-On’ ([London]: Soda Pictures, 2005)
Asrar, Nadim, The Muslim Others of Indian Cinema: Questions of Nation and Narration (Saarbrücken: Lambert Academic Publishing, 2010)
Badley, Linda, R. Barton Palmer, and Steven Jay Schneider, Traditions in World Cinema (Edinburgh: Edinburgh University Press, 2006), Traditions in world cinema <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=275802>
———, Traditions in World Cinema (Edinburgh: Edinburgh University Press, 2006), Traditions in world cinema <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780748626267>
Basu, Anustup, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh: Edinburgh University Press, 2012)
Basu, Anustup and dawsonera, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh: Edinburgh University Press, 2010) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780748643233>
Basu, Anustup and ebrary, Inc, Bollywood in the Age of New Media: The Geo-Televisual Aesthetic (Edinburgh: Edinburgh University Press, 2010) <http://site.ebrary.com/lib/universityofessex/Doc?id=10430823>
Becker, Wolfgang, Daniel Brühl, Katrin Sass, Chulpan Khamatova, and Maria Simon, ‘Goodbye Lenin!’ ([S.l.]: Twentieth Century Fox Home Entertainment, 2003)
Benson-Allott, Caetlin, ed., ‘Journal of Cinema and Media Studies’ <https://muse.jhu.edu/journal/31>
Bergfelder, Tim, Erica Carter, and Deniz Göktürk, The German Cinema Book (London: British Film Institute, 2002)
Bhandarkar, Madhur, and Konkana Sensharma, ‘Page 3: The inside Story’ (UK: Tip Top Video, 2005)
Bhaskar, Ira, and Richard Allen, Islamicate Cultures of Bombay Cinema (New Delhi: Tulika Books, 2009)
Bordwell, David, Ozu and the Poetics of Cinema (Princeton, N.J.: Princeton University Press, 1988)
———, Planet Hong Kong: Popular Cinema and the Art of Entertainment (Cambridge, Mass: Harvard University Press, 2000)
Bose, Derek, Brand Bollywood: A New Global Entertainment Order (New Delhi, Calif: Sage Publications, 2006)
Bose, Derek and dawsonera, Brand Bollywood: A New Global Entertainment Order (Delhi: SAGE, 2006) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9788132102786>
Boyle, Danny, Dev Patel, and Vikas Swarup, ‘Slumdog Millionaire’ ([U.K.]: Pathé, 2009)
British Film Institute, ‘Sight and Sound’, 1932
Brockmann, Stephen, A Critical History of German Film (Rochester, N.Y.: Camden House, 2010), Studies in German literature, linguistics, and culture
Brockmann, Stephen and dawsonera, A Critical History of German Film (Rochester, NY: Camden House, 2010), Studies in German literature, linguistics and culture <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781571137227>
Browne, Nick, New Chinese Cinemas: Forms, Identities, Politics (Cambridge: Cambridge University Press, 1994)
Cambridge Books Online (EBA), Melodrama and Asian Cinema, ed. by Wimal Dissanayake (Cambridge: Cambridge University Press, 1993), Cambridge Studies in Film <https://dx.doi.org/10.1017/CBO9781139172523>
———, New Chinese Cinemas: Forms, Identities, Politics, ed. by Nick Browne, Paul G. Pickowicz, Vivian Sobchack, and Esther Yau (Cambridge: Cambridge University Press, 1994) <https://dx.doi.org/10.1017/CBO9781139174121>
———, The Cinema of Hong Kong: History, Arts, Identity, ed. by Poshek Fu and David Desser (Cambridge: Cambridge University Press, 2000) <https://dx.doi.org/10.1017/CBO9781139167116>
‘Camera Obscura: Feminism, Culture and Media Studies’ <https://read.dukeupress.edu/camera-obscura/issue>
Chaudhuri, Shohini, Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (Edinburgh: Edinburgh U.P., 2005)
———, ‘Snake Charmers and Child Brides: Deepa Metha’s Water, “exotic” Representation, and the Cross-Cultural Spectatorship of South Asian Migrant Cinema’, South Asian Popular Culture, 7.1 (2009), 7–20
Chopra, Aditya, Shah Rukh Khan, and Kajol, ‘Dilwale Dulhania Le Jayenge’ (Mumbai: Yash Raj Films International, 2004)
Chopra, Anupama, Dilwale Dulhania Le Jayenge =: The Brave-Hearted Will Take the Bride (London: British Film Institute, 2002), BFI modern classics
———, King of Bollywood: Shah Rukh Khan and the Seductive World of Indian Cinema (New York: Warner Books, 2007)
Chow, Rey, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (New York: Columbia University Press, 2007), Film and culture series
Chow, Rey and JSTOR ebook collection, Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility (New York: Columbia University Press, 2007), Film and culture series <https://www.jstor.org/stable/10.7312/chow13332>
Ciecko, Anne Tereska, Contemporary Asian Cinema: Popular Culture in a Global Frame (Oxford: Berg, 2006), Asian cinema series
‘Cinema Journal’, 1961
Clarke, David, German Cinema: Since Unification (London: Continuum, 2006), New Germany in context
Codell, Julie F., Genre, Gender, Race, and World Cinema (Malden, MA: Blackwell Pub, 2007)
Cooke, Paul, Contemporary German Cinema (Manchester: Manchester University Press, 2012)
Cooke, Paul, and Chris Homewood, New Directions in German Cinema (London: I.B. Tauris, 2011), Tauris world cinema series
Cooke, Paul, Chris Homewood, and dawsonera, New Directions in German Cinema (London: I.B. Tauris & Co, 2011), Tauris World Cinema Series <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857720399>
Cui, Shuqin, ‘Raise the Red Lantern: The Cinematic Orient and Female Conflict’, in Film Analysis: A Norton Reader, Second edition (New York: W. W. Norton & Company, 2013), pp. 883–901
dawsonera, Routledge Handbook of Indian Cinemas, ed. by K. Moti Gokulsing, Wimal Dissanayake, and Rohit K. Dasgupta (London: Routledge, 2013), Routledge handbooks <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203556054>
Desai, Jigna, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (New York: Routledge, 2004)
Desai, Jigna and EBSCOhost ebook collection, Beyond Bollywood: The Cultural Politics of South Asian Diasporic Film (New York: Routledge, 2004) <https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=115218>
Desser, David, ‘Tokyo Story: The Space of Ambivalence’, in Film Analysis: A Norton Reader, Second edition (New York: W. W. Norton & Company, 2013), pp. 456–72
Dissanayake, Wimal, Melodrama and Asian Cinema (Cambridge: Cambridge University Press, 1993), Cambridge studies in film
Dudrah, Rajinder Kumar, and Jigna Desai, The Bollywood Reader (Maidenhead: McGraw-Hill, 2008)
Duke University Press. Online journal, ‘Camera Obscura’, 2000 <https://cameraobscura.dukejournals.org>
Ďurovičová, Natasa, and Kathleen E. Newman, World Cinemas, Transnational Perspectives (New York: Routledge, 2010), AFI film readers <https://search-ebscohost-com.uniessexlib.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=289883&site=ehost-live&scope=site&authtype=sso&custid=s9814295>
Ďurovičová, Natasa, Kathleen E. Newman, and EBSCOhost ebook collection, World Cinemas, Transnational Perspectives (New York: Routledge, 2010), AFI film readers <https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=289883>
Dwyer, Rachel, All You Want Is Money, All You Need Is Love: Sexuality and Romance in Modern India (London: Cassell, 2000)
———, Filming the Gods: Religion and Indian Cinema (London: Routledge, 2006)
Dwyer, Rachel and dawsonera, Filming the Gods: Religion and Indian Cinema (Abingdon: Routledge, 2006) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203088654>
Dwyer, Rachel, and Divia Patel, Cinema India: The Visual Culture of Hindi Film (London: Reaktion Books, 2002), Envisioning Asia
Dyer, Richard, ed., ‘Third Text’ <https://www.tandfonline.com/loi/ctte20>
Edel, Uli, Stefan Aust, Bernd Eichinger, and Martina Gedeck, ‘The Baader Meinhof Complex’ ([London]: Momentum, 2009)
Ezra, Elizabeth, and Terry Rowden, Transnational Cinema: The Film Reader (Abingdon: Routledge, 2006), In focus--Routledge film readers
‘Film History’, 1987
‘FLIGHT OF THE RED BALLOON [DVD]’
Fu, Poshek, and David Desser, The Cinema of Hong Kong: History, Arts, Identity (Cambridge: Cambridge University Press, 2000)
Gansel, Dennis, Jürgen Vogel, Frederick Lau, Momentum Pictures, and Rat Pack Filmproduktion, ‘The Wave’ ([U.K.]: Momentum Pictures, 2009)
Ganti, Tejaswini, Bollywood: A Guidebook to Popular Hindi Cinema (London: Routledge, 2004), Routledge film guidebooks
Geist, Kathe, ‘Narrative Strategies in Ozu’s Late Films’, in Reframing Japanese Cinema: Authorship, Genre, History (Bloomington: Indiana University Press, 1992)
Ginsberg, Terri, and Andrea Mensch, eds., A Companion to German Cinema (Chichester: Wiley-Blackwell, 2012), The Wiley-Blackwell companions to national cinemas
Ginsberg, Terri, Andrea Mensch, and dawsonera, A Companion to German Cinema (Oxford: Wiley-Blackwell, 2012) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781444345575>
Gokulsing, K. Moti, and Wimal Dissanayake, Indian Popular Cinema: A Narrative of Cultural Change, Rev. and updated ed (Stoke-on-Trent: Trentham, 2004)
———, eds., Routledge Handbook of Indian Cinemas (Abingdon: Routledge, 2013), [Routledge handbooks]
Gong, Li, Yimou Zhang, and Tong Su, Raise the Red Lantern =: Da Hong Deng Long Gao Gao Gua (Studio City, CA: Razor Digital Entertainment, 2005), Zhang Yimou collection
Gopal, Sangita, and Sujata Moorti, Global Bollywood: Travels of Hindi Song and Dance (Minneapolis: University of Minnesota Press, 2008)
Gopal, Sangita, Sujata Moorti, and ebrary, Inc, Global Bollywood: Travels of Hindi Song and Dance (Minneapolis: University of Minnesota Press, 2008) <http://site.ebrary.com/lib/universityofessex/Doc?id=10227060>
Gopalan, Lalitha, Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (London: BFI Pub, 2002)
Gopalan, Lalitha and British Film Institute, Bombay (London: BFI, 2005), BFI modern classics
Gopinath, Gayatri, Impossible Desires: Queer Diasporas and South Asian Public Cultures (Durham: Duke University Press, 2005), Perverse modernities
Grant, Catherine, and Annette Kuhn, Screening World Cinema: A Screen Reader (Abingdon: Routledge, 2006), Screen readers
Hake, Sabine, German National Cinema, 2nd ed (London: Routledge, 2008), National cinemas
Hake, Sabine and dawsonera, German National Cinema, 2nd ed (London: Routledge, 2008) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203608012>
Hake, Sabine, and Barbara Caroline Mennel, Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens (New York: Berghahn Books, 2012), Film Europa: German cinema in an international context
Hake, Sabine, Barbara Caroline Mennel, and dawsonera, Turkish German Cinema in the New Millennium: Sites, Sounds, and Screens (New York: Berghahn, 2012), Film Europa <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780857457691>
Hill, John, and Pamela Church Gibson, World Cinema: Critical Approaches (Oxford: Oxford University Press, 2000)
‘Historical Journal of Film, Radio, and Television’ <https://www.tandfonline.com/loi/chjf20>
Hjort, Mette, and Scott MacKenzie, Cinema and Nation (London: Routledge, 2000) <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=240252>
Hjort, Mette, Scott MacKenzie, and dawsonera, Cinema and Nation (London: Routledge, 2000) <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780203977279>
Hood, John W., The Essential Mystery: Major Filmmakers of Indian Art Cinema, 2nd rev. & enl. ed (New Delhi: Orient BlackSwan, 2009)
Hunt, Leon, Wing-Fai Leung, and ebrary, Inc, East Asian Cinemas: Exploring Transnational Connections on Film (London: New York, 2008), Tauris world cinema series <http://site.ebrary.com/lib/universityofessex/Doc?id=10267549>
Hunt, Leon, and Leung Wing-fai, East Asian Cinemas: Exploring Transnational Connections on Film (London: I.B. Tauris, 2008)
Intellect. Online journal, ‘New Cinemas’, 2011
———, ‘Transnational Cinemas’, 2010
Kapczinsky, Jennifer, and Michael Richardson, ‘Epilogue: The Many Lives of Contemporary German Cinema’, in A New History of German Cinema (Rochester, N.Y.: Camden House, 2012), Screen cultures: German film and the visual, 629–35
Kaur, Raminder, and Ajay J. Sinha, Bollyworld: Popular Indian Cinema through a Transnational Lens (New Delhi: Sage Publications, 2005)
Kei, Sek, ‘Achievement and Crisis: Hong Kong Cinema in the ’80s’, Bright Lights Film Journal <http://brightlightsfilm.com/achievement-crisis-hong-kong-cinema-80s/#.VQw8fI6sW7s>
Kītā, Va, Sirish Rao, and M. P. Dhakshna, The 9 Emotions of Indian Cinema Hoardings ([Chennai]: Tara Pub, 2007)
Kwok Wah Lau, Jenny, ‘Peking Opera Blues: Imploding Genre, Gender, and History’, in Film Analysis: A Norton Reader, Second edition (New York: W. W. Norton & Company, 2013)
Lal, Vinay, and Ashis Nandy, Fingerprinting Popular Culture: The Mythic and the Iconic in Indian Cinema (Oxford: Oxford University Press, 2007), Oxford India paperbacks
Lau, Jenny Kwok Wah, Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia (Philadelphia, PA: Temple University Press, 2003)
Lee, Ang, Yun-fat Chow, and Michelle Yeoh, ‘Crouching Tiger, Hidden Dragon’ (London: Columbia TriStar Home Entertainment, 2001)
Lim, Song Hwee, and Stephanie Dennison, Remapping World Cinema: Identity, Culture and Politics in Film (London: Wallflower Press, 2006)
Mazumdar, Ranjani, Bombay Cinema: An Archive of the City (Minneapolis: University of Minnesota Press, 2007)
Mazumdar, Ranjani and ebrary, Inc, Bombay Cinema: An Archive of the City (Minneapolis, Minn: University of Minnesota Press, 2007) <http://site.ebrary.com/lib/universityofessex/Doc?id=10206194>
Mehta, Deepa, and Shabana Azmi, Fire ([S.l.]: Trial by Fire film, 1996)
Mishra, Vijay, Bollywood Cinema: Temples of Desire (New York: Routledge, 2002)
Naficy, Hamid, An Accented Cinema: Exilic and Diasporic Filmmaking (Princeton: Princeton University Press, 2001)
Nagib, Lúcia, Chris Perriam, and Rajinder Kumar Dudrah, Theorizing World Cinema (London: I.B. Tauris, 2012), Tauris world cinema series <https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=903320>
Nagib, Lúcia, Christopher Perriam, Rajinder Kumar Dudrah, and dawsonera, Theorizing World Cinema (London: I.B. Tauris, 2012), Tauris world cinema series <http://www.vlebooks.com/vleweb/product/openreader?id=essexacuk&accId=7572256&isbn=9780857721044>
Nandy, Ashis, The Secret Politics of Our Desires: Innocence, Culpability, and Indian Popular Cinema (London: Zed Books, 1998)
‘New Cinemas: Journal of Contemporary Film’ <https://www.ingentaconnect.com/content/intellect/nc>
O’Brien, Mary-Elizabeth, Post-Wall German Cinema and National History: Utopianism and Dissent (Rochester, N.Y.: Camden House, 2012), Studies in German literature, linguistics, and culture
Pendakur, Manjunath, Indian Popular Cinema: Industry, Ideology, and Consciousness (Cresskill: Hampton Press, 2003), Hampton Press communication series
Prakash, Gyan, Noir Urbanisms: Dystopic Images of the Modern City (Princeton: Princeton University Press, 2010)
Prasad, M. Madhava, Ideology of the Hindi Film: A Historical Construction (Oxford: Oxford University Press, 2000), Oxford India paperbacks
Qing, D., and J. Tai, ‘Raised Eyebrows for Raise the Red Lantern’, Public Culture, 5.2 (1993), 333–37 <https://doi.org/10.1215/08992363-5-2-333>
Reimer, Robert C., Reinhard K. Zachau, and Margit M. Sinka, German Culture through Film: An Introduction to German Cinema (Newburyport, MA: Focus Publishing, 2005)
Richie, Donald, Ozu (Berkeley: University of California Press, 1977)
Rosen, Philip, ‘Nation and Anti-Nation: Concepts of National Cinema in the “New” Media Era’, Diaspora: A Journal of Transnational Studies, 5.3 (1996), 375–402 <https://doi.org/10.1353/dsp.1996.0016>
———, ‘Nation and Anti-Nation: Concepts of National Cinema in the "New” Media Era’, in Diaspora: A Journal of Transnational Studies (Toronto: University of Toronto Press, 1996), v, 375–403
Routledge. Online journal, ‘Historical Journal of Film, Radio and Television’, 1981
Sarkar, Bhaskar, Mourning the Nation: Indian Cinema in the Wake of Partition (Durham: Duke University Press, 2009)
Schaefer, David J, and Kavita Karan, eds., Bollywood and Globalization: The Global Power of Popular Hindi Cinema (Abingdon: Routledge, 2013), Routledge contemporary South Asia series
Schaefer, David J., Kavita Karan, and dawsonera, Bollywood and Globalisation: The Global Power of Popular Hindi Cinema (London: Routledge, 2013), Routledge contemporary South Asia series <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp0.essex.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203085141>
Schindler, Stephan K., and Lutz P. Koepnick, The Cosmopolitan Screen: German Cinema and the Global Imaginary, 1945 to the Present (Ann Arbor: University of Michigan Press, 2007), Social history, popular culture, and politics in Germany
Schweiger, Til, and Nora Tschirner, ‘Keinohrhasen’ (Hamburg: Warner Bros. Entertainment, 2008)
‘Screen’ <https://academic.oup.com/screen/issue>
Shohat, Ella, and Robert Stam, ‘From the Imperial Family to the Trans-National Imaginary: Media Spectatorship in the Age of Globalization’, in Global/Local: Cultural Production and the Transnational Imaginary (Durham: Duke University Press, 1996), Asia-Pacific : culture, poitics, and society, 145–72
‘Sight and Sound’ <http://search.ebscohost.com/direct.asp?db=aft&jid=SIS&scope=site>
Steenberg, Lindsay, ‘A Dream of China: Translation and Hybridisation in Crouching Tiger, Hidden Dragon’, EnterText, 2006 <http://www.brunel.ac.uk/__data/assets/pdf_file/0005/185900/ET61Wux6SteenbergED.pdf>
Suchenski, Richard I., Hou Hsiao-Hsien ([Wien]: Österreichisches Filmmuseum, 2014), FilmmuseumSynemaPublikationen
Swami, Arvind, Manisha Koirala, and Maṇiratṉam, ‘Bombay’ (London: Eros International, 2005)
Tam, Kwok-kan, and Wimal Dissanayake, New Chinese Cinema (Hong Kong: Oxford University Press, 1998), Images of Asia
Teo, Stephen, ‘Hong Kong Cinema: Discovery and Pre-Discovery’, in World Cinema: Critical Approaches (Oxford: Oxford University Press, 2000), pp. 166–72
———, Hong Kong Cinema: The Extra Dimensions (London: BFI, 1997)
———, Wong Kar-Wai (London: BFI Pub, 2005), World directors series
‘Third Text’, 1997 <https://ejournals.ebsco.com/Journal2.asp?JournalID=300296>
‘Transnational Screens’, 2010 <https://www.tandfonline.com/openurl?genre=journal&stitle=rtrc20>
Tsui, Hark, Qingxia Lin, Chien-wen Yeh, and Chu-hung Chung, ‘Peking Opera Blues’ ([Hong Kong?]: STAR TV Filmed Entertainment, 1992)
Uberoi, Patricia, Freedom and Destiny: Gender, Family, and Popular Culture in India (New Delhi: Oxford University Press, 2009), Oxford India paperbacks
Vanita, Ruth, Queering India: Same-Sex Love and Eroticism in Indian Culture and Society (New York: Routledge, 2002)
Vasudevan, Ravi, Making Meaning in Indian Cinema (New Delhi: Oxford University Press, 2002), Oxford India paperbacks
Virdi, Jyotika, The Cinematic Imagination: Indian Popular Films as Social History (New Brunswick, N.J.: Rutgers University Press, 2003)
Waller, Gregory A., ed., ‘Film History’ <http://search.ebscohost.com/direct.asp?db=aft&jid=6LP&scope=site>
Wong, Kar-wai, Tony Chiu Wai Leung, and Leslie Cheung, ‘Happy Together’ ([London]: Artificial Eye, 2003)
Woo, John, Ti Ling, Yun-fat Chow, and Cheung. Leslie, ‘A Better Tomorrow’ (Hong Kong: M.I.A. Video, 1999)
Yau, Ching-Mei Esther, At Full Speed: Hong Kong Cinema in a Borderless World (Minneapolis: University of Minnesota Press, 2001)
Yau, Ching-Mei Esther and ebrary, Inc, At Full Speed: Hong Kong Cinema in a Borderless World (Minneapolis: University of Minnesota Press, 2001) <http://site.ebrary.com/lib/universityofessex/Doc?id=10151097>
Yijin, Zhang, ‘Introduction: National Cinema and China’, in Chinese National Cinema (New York: Routledge, 2004), National cinemas series, 1–13
